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“If you took a satellite picture of the game world in 2005, you’d have essentially a complete province already,” Sultan of Rum said. “But the trouble was that the quality wasn’t good; there was no coherence. The 5 percent of the work to just create a landmass was done, but the management wasn’t there.”
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A large part of the appeal of micro-dramas is seeing and interacting with real actors, she said, because the actors are often unknown and, therefore, accessible on social media.
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